Founder and CEO of Singapore Skyart Cultural Centre
Former President, Vice President, General Secretary, and committee member of The Society of Chinese Artists (Singapore)
Former General Secretary, and committee member of Federation of Art Societies (Singapore)
Former committee member of the Singapore Art Society
Chair, Working Committee of “Blossom Through Art” Singapore Women Artists Grand Art Exhibition 2020
Chair, Working Committee of “Blossom and Flourish” Singapore National Women’s Art Exhibition 2015

Exhibitions

Year 2026    “Clouds and Times” Grace Chen Liang Solo Exhibition 2026, Skyart Cultural Centre, Singapore
Year 2021    “Formations” Grace Chen Liang Solo Exhibition 2021, Skyart Cultural Centre, Singapore
Year 2017    “Chen Liang · Between Black And White” Solo Art Exhibition 2017, The Art House At The Old Parliament, Singapore

Introduced to calligraphy by her father at an early age, she has dedicated over four decades to mastering the craft. Rooted in the regular scripts of Yan Zhenqing and Liu Gongquan, her study expanded to encompass the masters Wang Xizhi, Wang Xianzhi, Zhang Xu, Huai Su, Huang Tingjian, and Mi Fu, alongside seal, clerical, and other classical traditions. While exceptionally accomplished in running and cursive scripts, her artistic voice has been continuously refined through deep engagement with brush, ink, and tradition. Remarkably ambidextrous, she commands a distinct aesthetic with each hand: her right delivers powerful, expressive freedom, while her left exudes a delicate, ethereal grace. Highly sought-after by private collectors and public institutions alike, her works have been exhibited and curated across Singapore and internationally.

From an early age, she was immersed in calligraphy under the influence of her father, and has devoted more than four decades to its study and practice. Rooted in the regular scripts of Yan Zhenqing and Liu Gongquan, she went on to study the styles of Wang Xizhi and Wang Xianzhi, Zhang Xu, Huai Su, Huang Tingjian, and Mi Fu, while also exploring seal and clerical scripts and other classical calligraphic traditions. She is particularly accomplished in running and cursive script.

Through sustained engagement with tradition and continued exploration of brush and ink, she has gradually developed a distinctive personal style. She is virtuosically ambidextrous, each hand a master of a distinct writing style. Her right-hand commands power and freedom, while her left hand exudes a delicate elegance that is both uplifting and ethereal. Her calligraphy artworks, highly sought-after by both private collectors and public organisations, have been curated by Singaporeans and international art exhibitors and gallerists.

Media Coverage, Guest Lectures and Events

2026   Guest Speaker, “Only Light Has No Shadow” — Ziad Dalloul Art Book Launch & Art Exhibition, organised by Kwai Fung Hin Art Gallery

2024    Received the “Long Service Award” at the 75th Anniversary celebration of the Singapore Art Society

2024   “Strokes of Brilliance” – Singapore “Oneness“ Magazine feature story

2024    As one of the speakers to discuss “Reflecting on 89 Years of the Society of Chinese Artists- Exploring and Prospects of Nanyang-Style Painting Language: Vibrancy of Nanyang”, Singapore Chinese Cultural Centre

2023   Conducting Chinese calligraphy workshop as part of the 100th Anniversary Celebration Series of “Lianhe Zaobao”

2023   “Art galleries drawn to industrial spaces” – The Straits Times, 13 Apr 2023

2022   “Calligraphy, naturally calm” – Singapore “Oneness“ Magazine feature story

2022   Received “Oneness Star” Award from Singapore Federation of Chinese Clan Associations

2021   “Po“ject Su – Collaboration project between fashion celebrity Thomas Wee and calligrapher Grace Chen Liang, Singapore MU/SE magazine feature story

2021    Partnered with Teng Ensemble in their online concert. Presented the final segment “Heaven, Earth, Mankind, Unity” together with the Teng’s band and created four pieces of calligraphy works representing “Heaven, Earth, Mankind, Unity”, thereby achieving cross-discipline collaboration between music and calligraphy

2021    Featured in the Nanyang Academy of Fine Arts’ (NAFA) online short film with calligraphy demonstration for Happy Spring Festival event

2020    “Little reunion” series – Grace Chen Liang’s calligraphy work, Singapore MU/SE magazine feature story

2020   “ Teaching calligraphy and painting Online” – Lianhe Zaobao feature story

2020    Introducing the aesthetics of Chinese Calligraphy – Live Interview on Capital 95.8 FM

2019    “A Brief History of the Art of Chinese Calligraphy “lecture at Asian Civilisations Museum (ACM)

2018    Conducting Chinese calligraphy workshop at the Esplanade event “Light Your Mind, Body & Spirit “

2017    “Different Strokes Different Looks – the Ambidextrous Virtuosity of Calligrapher Chen Liang (书法家陈亮-左右手挥毫韵味各异) “- Lianhe Zaobao feature story

2017   “ Ink Masters Series II – Beauty Of Calligraphy” lecture at National Gallery Singapore

2017   “Appreciating Chinese Calligraphy” lecture at SIM University (Singapore) of Social Sciences

Rooted in over four decades of dedication to Chinese calligraphy, Grace’s artistic journey is shaped by a deep appreciation for classical traditions and the expressive possibilities of brush and ink.

Her mastery of both hands gives rise to two distinct artistic expressions. The right embodies strength, freedom, and grandeur, while the left reveals a quieter elegance, rich in subtlety and classical charm.

Her mastery of both hands gives rise to two distinct artistic expressions. The right embodies strength, freedom, and grandeur, while the left reveals a quieter elegance, rich in subtlety and classical charm.